The present volume is supported by a curated body of 216 peer-reviewed articles and academic references, which collectively constitute the documentary foundation of the Neural Superassets theoretical framework.
Bishop, Laura, et al. “Coordinating Movement: The Role of Vertical Bounce in Interpersonal Synchrony.” Attention, Perception, & Psychophysics 86, no. 6 (2024): 1430–1447. https://doi.org/10.3758/s13414-024-02766-1.
Kreutz, Gunter, et al. “Oxytocin and the Biological Foundations of Music Synchronization.” Psychoneuroendocrinology 108 (2019): 90–96. https://doi.org/10.1016/j.psyneuen.2019.06.012.
Repp, Bruno H., and Yi-Huang Su. “Sensorimotor Synchronization: A Review of Recent Research (2006–2012).” Psychonomic Bulletin & Review 20, no. 3 (2013): 403–452. https://doi.org/10.3758/s13423-012-0371-2.
Tarr, Bronwyn, Jacques Launay, and Robin I. M. Dunbar. “Music and Social Bonding: ‘Self–Other’ Merging and Neurohormonal Mechanisms.” Frontiers in Psychology 5 (2014): 1096. https://doi.org/10.3389/fpsyg.2014.01096.
Chang, Andrew, Haley E. Kragness, Steven R. Livingstone, Dan J. Bosnyak, and Laurel J. Trainor. “Body Sway Reflects Joint Emotional Expression in Music Ensemble Performance.” Scientific Reports 9, no. 1 (2019): 1–10. https://doi.org/10.1038/s41598-019-44005-5.
